<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[Jehan Legac Shopping]]></title><description><![CDATA[Where creativity meets spirit — discover Jehan Legac’s divine feminine oil paintings and surreal art.]]></description><link>https://www.jehanlegac.com/blog</link><generator>RSS for Node</generator><lastBuildDate>Wed, 07 Oct 2026 22:40:31 GMT</lastBuildDate><atom:link href="https://test.jehanlegac.com/fr/blog-feed.xml" rel="self" type="application/rss+xml"/><item><title><![CDATA[Pourquoi les grands artistes peignent toujours la même chose]]></title><description><![CDATA[Claude Monet a peint des nymphéas plus de 250 fois. Pas des variations sur un thème : le même étang, presque toujours depuis le même endroit, pendant près de trente ans. Pablo Picasso a peint des femmes toute sa vie, dans chaque style qu'il a exploré, de la géométrie tranchante du cubisme aux touches libres et urgentes de ses dernières années. Lucian Freud a peint son propre visage encore et encore pendant plus de soixante ans, se regardant vieillir en temps réel sur la toile. Aucun d'eux n'a...]]></description><link>https://www.jehanlegac.com/fr/post/pourquoi-les-grands-artistes-peignent-toujours-la-m%C3%AAme-chose</link><guid isPermaLink="false">6a971cfe438d639f6368a1b4</guid><pubDate>Tue, 01 Sep 2026 18:47:33 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/87eb11_8faa2e13fde947938cae7b4d7dd8d122~mv2.png/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Jehan  Legac</dc:creator></item><item><title><![CDATA[Por qué los grandes artistas pintan lo mismo toda su vida]]></title><description><![CDATA[Claude Monet pintó nenúfares más de 250 veces. No variaciones sobre un tema: el mismo estanque, casi desde el mismo punto, durante casi tres décadas. Pablo Picasso pintó mujeres toda su vida, en cada estilo que trabajó, desde la geometría afilada del cubismo hasta las pinceladas sueltas y urgentes de sus últimos años. Lucian Freud pintó su propio rostro una y otra vez durante más de sesenta años, viéndose envejecer en tiempo real sobre el lienzo. Ninguno se quedó sin ideas. Si acaso, ocurrió...]]></description><link>https://www.jehanlegac.com/es/post/por-qu%C3%A9-los-grandes-artistas-pintan-lo-mismo-toda-su-vida</link><guid isPermaLink="false">6a9714f7ce6bb278f9e4eade</guid><pubDate>Tue, 01 Sep 2026 18:43:36 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/87eb11_e45c2bfd87674249a444a8cb1e8381bb~mv2.png/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>sarasuarezc10</dc:creator></item><item><title><![CDATA[Why Great Artists Paint the Same Thing Their Whole Lives]]></title><description><![CDATA[Claude Monet painted water lilies over 250 times. Not versions of a theme — the same pond, from roughly the same spot, for nearly three decades. Pablo Picasso painted women his entire life, across every style he ever worked in, from the sharp geometry of Cubism to the loose, urgent brushwork of his final years. Lucian Freud painted his own face again and again for over sixty years, watching himself age in real time on canvas. None of them ran out of ideas. If anything, the opposite happened....]]></description><link>https://www.jehanlegac.com/post/why-great-artists-paint-the-same-thing-their-whole-lives</link><guid isPermaLink="false">6a95d4e8606c430fb842fe85</guid><pubDate>Mon, 31 Aug 2026 20:00:05 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/87eb11_e45c2bfd87674249a444a8cb1e8381bb~mv2.png/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>sarasuarezc10</dc:creator></item><item><title><![CDATA[L'IA est-elle en train de tuer la peinture, ou de la sauver ? Ce qui se passe vraiment dans les ateliers d'artistes]]></title><description><![CDATA[The auction houses are placing bets, the galleries are split down the middle, and collectors are quietly rewriting what "authentic" means. A look at the numbers, the mood, and the artists caught in between.]]></description><link>https://www.jehanlegac.com/fr/post/l-ia-est-elle-en-train-de-tuer-la-peinture-ou-de-la-sauver-ce-qui-se-passe-vraiment-dans-les-atel</link><guid isPermaLink="false">6a83a665ff0795acf4f729cf</guid><pubDate>Tue, 18 Aug 2026 00:31:13 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/87b9e3_ebbcc92f0acf40288f36ebb3052ac337~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Jehan  Legac</dc:creator></item><item><title><![CDATA[¿Está la IA matando a la pintura, o salvándola? Lo que realmente está pasando dentro de los estudios de los artistas]]></title><description><![CDATA[The auction houses are placing bets, the galleries are split down the middle, and collectors are quietly rewriting what "authentic" means. A look at the numbers, the mood, and the artists caught in between.]]></description><link>https://www.jehanlegac.com/es/post/est%C3%A1-la-ia-matando-a-la-pintura-o-salv%C3%A1ndola-lo-que-realmente-est%C3%A1-pasando-dentro-de-los-estudios</link><guid isPermaLink="false">6a83a3368b71615e6f89e43d</guid><pubDate>Tue, 18 Aug 2026 00:24:07 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/87b9e3_ebbcc92f0acf40288f36ebb3052ac337~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Jehan  Legac</dc:creator></item><item><title><![CDATA[Is AI Killing Painting, or Saving It? What's Really Happening Inside Artists' Studios]]></title><description><![CDATA[The auction houses are placing bets, the galleries are split down the middle, and collectors are quietly rewriting what "authentic" means. A look at the numbers, the mood, and the artists caught in between.]]></description><link>https://www.jehanlegac.com/post/is-ai-killing-painting-or-saving-it</link><guid isPermaLink="false">6a837a096f644c8dfb467a00</guid><category><![CDATA[Market]]></category><pubDate>Mon, 17 Aug 2026 23:13:54 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/87b9e3_ebbcc92f0acf40288f36ebb3052ac337~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Jehan  Legac</dc:creator></item><item><title><![CDATA[Le dissimulement comme geste]]></title><description><![CDATA[Sur le regard couvert : des icônes byzantines à Vision Within de Jehan Legac Vision Within part d'une contradiction : une figure qui nous fait face entièrement, et qui ne peut pourtant pas nous voir. Les yeux sont couverts, non effacés, non absents, mais délibérément masqués par une bande de brocart cousue. Ce geste, couvrir les yeux tout en gardant le visage tourné vers l'avant, a une longue histoire ; il est antérieur à la peinture. Le bandeau comme instrument sacré Dans l'iconographie...]]></description><link>https://www.jehanlegac.com/fr/post/le-dissimulement-comme-geste</link><guid isPermaLink="false">6a2c42252b4d948549f7a3dd</guid><category><![CDATA[Nouvelles peintures à l’huile]]></category><pubDate>Fri, 26 Jun 2026 20:59:00 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/87eb11_acf9607e44164559971ddefe535aae78~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Jehan  Legac</dc:creator></item><item><title><![CDATA[El ocultamiento como gesto.]]></title><description><![CDATA[Sobre la mirada cubierta: desde los íconos bizantinos hasta Vision Within de Jehan Legac. Vision Within parte de una contradicción: una figura que te enfrenta por completo y, al mismo tiempo, no puede verte. Los ojos están cubiertos, no borradosni ausentes, sino deliberadamente velados por una banda de brocado cosida. Este gesto, cubrir los ojos mientras el rostro permanece de frente, tiene una historia extensa; es anterior a la pintura. El antifaz como instrumento sagrado En la iconografía...]]></description><link>https://www.jehanlegac.com/es/post/el-ocultamiento-como-gesto</link><guid isPermaLink="false">6a2c3efbde60453826b043cd</guid><category><![CDATA[Nuevas pinturas al óleo]]></category><pubDate>Fri, 26 Jun 2026 20:58:44 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/87eb11_acf9607e44164559971ddefe535aae78~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Jehan  Legac</dc:creator></item><item><title><![CDATA[Concealment as Gesture]]></title><description><![CDATA[On the covered gaze: from Byzantine icons to Jehan Legac's Vision Within. Texto en español | Texte en français Vision Within begins with a contradiction: a figure that faces you completely, and cannot see you at all. The eyes are covered, not erased, not absent, but deliberately obscured by a band of stitched brocade. That gesture, covering the eyes while the face remains forward, has a long history; it is older than painting. The blindfold as a sacred instrument In Byzantine iconography, the...]]></description><link>https://www.jehanlegac.com/post/concealment-as-gesture</link><guid isPermaLink="false">6a28af37750b8b39abc1cc78</guid><category><![CDATA[New Artworks (Oil Paintings)]]></category><pubDate>Fri, 26 Jun 2026 20:57:01 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/87eb11_acf9607e44164559971ddefe535aae78~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Jehan  Legac</dc:creator></item><item><title><![CDATA[Resultados multimillonarios increíbles mientras el mercado se dispara.]]></title><description><![CDATA[Nuestras subastas de arte de los siglos XX y XXI, que atrajeron a compradores de EE. UU., Asia y otros países, vendieron el 96 % de los lotes y el 99 % del valor total. La obra Número 7A de Jackson Pollock, de 1948, alcanzó los 181,2 millones de dólares, Danaïde de Constantin Brancusi se vendió por 107,6 millones de dólares y Número 15 (Dos verdes y raya roja) de Mark Rothko por 98,4 millones de dólares; estas tres obras maestras establecieron nuevos récords mundiales en subasta. La magnitud...]]></description><link>https://www.jehanlegac.com/es/post/resultados-multimillonarios-incre%C3%ADbles-mientras-el-mercado-se-dispara</link><guid isPermaLink="false">6a1666eb05266e099bb55e28</guid><pubDate>Wed, 27 May 2026 03:57:48 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/e43dd3_1c857d576ca043e09f6cc428dd2ff687~mv2.png/v1/fit/w_1000,h_916,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Jehan  Legac</dc:creator></item><item><title><![CDATA[Crazy Billion-Dollar Results as Market Soars]]></title><description><![CDATA[Attracting bidders from the US, Asia and beyond, our 20th and 21st Century Art auctions sold 96% by lot and 99% by value. Jackson Pollock’s Number 7A, 1948 achieved $181.2 million, Constantin Brancusi’s Danaïde realised $107.6 million and Mark Rothko’s No. 15 (Two Greens and Red Stripe) sold for $98.4 million — all three masterpieces set new world auction records. The sheer scale of recent transactions is staggering. One piece of correspondence noted the significance of New York's $2.5...]]></description><link>https://www.jehanlegac.com/post/crazy-billion-dollar-results-as-market-soars</link><guid isPermaLink="false">6a165faece062e4a09f2734f</guid><pubDate>Wed, 27 May 2026 03:52:18 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/e43dd3_1c857d576ca043e09f6cc428dd2ff687~mv2.png/v1/fit/w_1000,h_916,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Jehan  Legac</dc:creator></item><item><title><![CDATA[Des résultats incroyables, en millions de dollars.]]></title><description><![CDATA[Attirant des enchérisseurs des États-Unis, d'Asie et d'ailleurs, nos ventes aux enchères d'art des XXe et XXIe siècles ont affiché un taux de vente de 96 % en nombre de lots et de 99 % en valeur. L'œuvre « Number 7A, 1948 » de Jackson Pollock a atteint 181,2 millions de dollars, « Danaïde » de Constantin Brancusi 107,6 millions de dollars et « No. 15 (Two Greens and Red Stripe) » de Mark Rothko 98,4 millions de dollars – ces trois chefs-d'œuvre établissant de nouveaux records mondiaux aux...]]></description><link>https://www.jehanlegac.com/fr/post/des-r%C3%A9sultats-incroyables-en-millions-de-dollars</link><guid isPermaLink="false">6a1666fc728b1d90f5e35731</guid><pubDate>Wed, 27 May 2026 03:38:22 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/e43dd3_1c857d576ca043e09f6cc428dd2ff687~mv2.png/v1/fit/w_1000,h_916,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Jehan  Legac</dc:creator></item><item><title><![CDATA[El arte de crear fealdad a partir de la belleza...]]></title><description><![CDATA[La Caverne du Pont Neuf (2026). Todo vale con tal de llamar la atención. Crear algo feo requiere la misma energía que crear algo bello, pero últimamente lo "feo" está en el punto de mira. Podríamos decir que cuanto más feo sea, mayor será la probabilidad de éxito. JR, un artista emergente que surgió de la nada, confirma esta regla con una nueva instalación impresa en blanco y negro en una cueva ubicada en uno de los puentes más bellos de París y, sin duda, el más antiguo. ¿Es realmente...]]></description><link>https://www.jehanlegac.com/es/post/el-arte-de-crear-fealdad-a-partir-de-la-belleza</link><guid isPermaLink="false">6a165ec326def75e495e0b65</guid><pubDate>Wed, 27 May 2026 03:03:35 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/e43dd3_baadfb55eeb042a199c33169fe080ce0~mv2.webp/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Jehan  Legac</dc:creator></item><item><title><![CDATA[The art of creating ugliness from beauty...]]></title><description><![CDATA[La Caverne du Pont Neuf (2026). Anything goes to get noticed. Creating something ugly requires the same energy as creating something beautiful, but lately "ugly" is in the spotlight. We could say that the uglier it is, the greater the chance of success. JR, a new artist who came out of nowhere, confirms this rule with a new black and white printed cave installation on one of the most beautiful bridges in Paris and undoubtedly the oldest. Is it really reasonable to offer such a setting to...]]></description><link>https://www.jehanlegac.com/post/the-art-of-creating-ugliness-from-beauty</link><guid isPermaLink="false">6a165d8d26def75e495e0a05</guid><pubDate>Wed, 27 May 2026 03:01:38 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/e43dd3_baadfb55eeb042a199c33169fe080ce0~mv2.webp/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Jehan  Legac</dc:creator></item><item><title><![CDATA[L'art de créer du laid sur du beau...]]></title><description><![CDATA[La Caverne du Pont Neuf (2026). Tout est bon pour se faire remarquer. Créer du laid demande néanmoins la meme énergie que de créer du beau mais dernièrement le "laid" est a l'honneur. Nous pourrions dire que plus c'est laid et plus la chance de succès se présente. JR, un nouvel artiste sorti de je ne sais où confirme cette règle avec une nouvelle installation de grotte en impression noir et blanc sur l'un des plus beau pont de Paris et sans aucun doute le plus ancien. Est-ce bien raisonnable...]]></description><link>https://www.jehanlegac.com/fr/post/l-art-de-cr%C3%A9er-du-laid-sur-du-beau</link><guid isPermaLink="false">6a150421b8fa3083ec19efba</guid><pubDate>Tue, 26 May 2026 02:44:31 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/e43dd3_baadfb55eeb042a199c33169fe080ce0~mv2.webp/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Jehan  Legac</dc:creator></item><item><title><![CDATA[Le corps comme langage]]></title><description><![CDATA[La figure féminine dans la peinture contemporaine : ce qu'elle porte, ce qu'elle refuse et l'état actuel de la réflexion. Chrysalis 150 x 150 cm, 60 x 60 in. | Peinture à l'huile originale sur toile Pendant la majeure partie de l'histoire de l'art occidental, le corps féminin fut une surface offerte à l'agencement, à l'idéalisation et à la consommation. Le peintre regardait ; la figure restait immobile. Ce dispositif a été, au cours des trois dernières décennies, méthodiquement déconstruit....]]></description><link>https://www.jehanlegac.com/fr/post/le-corps-comme-langage</link><guid isPermaLink="false">69e2bda74ab4dbc6502c677a</guid><category><![CDATA[Carnet de terrain]]></category><pubDate>Mon, 25 May 2026 15:13:11 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/87eb11_571a9b868c5547619d5c875c26b360ee~mv2.jpg/v1/fit/w_1000,h_892,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Jehan  Legac</dc:creator></item><item><title><![CDATA[El cuerpo como lenguaje]]></title><description><![CDATA[La figura femenina en la pintura contemporánea: lo que sostiene, lo que rechaza y el estado actual de la conversación. Chrysalis 150 x 150 cm, 60 x 60 in. | Óleo original sobre lienzo Durante la mayor parte de la historia del arte occidental, el cuerpo femenino fue una superficie destinada a la composición, la idealización y el consumo. El pintor observaba; la figura permanecía inmóvil. Ese orden, a lo largo de las últimas tres décadas, ha sido desmantelado metódicamente. Lo que ha surgido en...]]></description><link>https://www.jehanlegac.com/es/post/el-cuerpo-como-lenguaje</link><guid isPermaLink="false">69e2b94ebe30d2ca810cf0a9</guid><category><![CDATA[Cuaderno de Campo]]></category><pubDate>Mon, 25 May 2026 15:12:44 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/87eb11_571a9b868c5547619d5c875c26b360ee~mv2.jpg/v1/fit/w_1000,h_892,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Jehan  Legac</dc:creator></item><item><title><![CDATA[The Body as Language]]></title><description><![CDATA[The female figure in contemporary painting: what it carries, what it refuses, and where the conversation stands today. Chrysalis 150 x 150 cm, 60 x 60 in. | Original Oil Painting on Canvas For most of Western art history, the female body was a surface available for arrangement, idealization, and consumption. The painter looked; the figure held still. That arrangement has, over the past three decades, been methodically taken apart. What replaced it is more complex and harder to define: a set...]]></description><link>https://www.jehanlegac.com/post/the-body-as-language</link><guid isPermaLink="false">6982b0dde90da4b7522fa5f4</guid><category><![CDATA[Field Notes]]></category><pubDate>Thu, 21 May 2026 13:57:53 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/87eb11_571a9b868c5547619d5c875c26b360ee~mv2.jpg/v1/fit/w_1000,h_892,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Jehan  Legac</dc:creator></item><item><title><![CDATA[Quelle maison de ventes aux enchères a dominé en 2025 ?]]></title><description><![CDATA[Adrien Meyer vend le lot phare de la collection de Robert F. et Patricia G. Ross Weis, No. 31 (Yellow Stripe) de Mark Rothko, pour 62,1 millions de dollars chez Christie’s. Avec l’aimable autorisation de Christie’s Images Ltd. Margaret Carrigan · 21 avril 2026 Christie’s s’est une fois de plus hissée en tête, générant 3,5 milliards de dollars de ventes aux enchères d’art, soit une hausse de 10,1 % par rapport à 2024, bien que ce chiffre reste inférieur de 9,8 % à celui de 2023. Dans son...]]></description><link>https://www.jehanlegac.com/fr/post/quelle-maison-de-ventes-aux-ench%C3%A8res-a-domin%C3%A9-en-2025</link><guid isPermaLink="false">6a0e2759bafaa90a8080be9b</guid><category><![CDATA[Événements et actualités]]></category><pubDate>Wed, 20 May 2026 21:31:38 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/e43dd3_0577d15047924f74aa61a1ad10444c3d~mv2.png/v1/fit/w_1000,h_640,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Jehan  Legac</dc:creator></item><item><title><![CDATA[¿Qué casa de subastas lideró el mercado en 2025?]]></title><description><![CDATA[Adrien Meyer vende el lote más destacado de la colección de Robert F. y Patricia G. Ross Weis, No. 31 (Yellow Stripe) de Mark Rothko, por 62,1 millones de dólares en Christie’s. Cortesía de Christie’s Images Ltd. Margaret Carrigan · 21 de abril de 2026 Christie’s volvió a posicionarse en la cima, generando 3.500 millones de dólares en ventas de arte en subasta, un 10,1 % más que en 2024, aunque todavía un 9,8 % por debajo de 2023. En su informe anual, la casa destacó que la segunda mitad de...]]></description><link>https://www.jehanlegac.com/es/post/qu%C3%A9-casa-de-subastas-lider%C3%B3-el-mercado-en-2025</link><guid isPermaLink="false">6a0b883366657aedb57142c3</guid><category><![CDATA[Eventos & Noticias]]></category><pubDate>Wed, 20 May 2026 21:27:32 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/e43dd3_0577d15047924f74aa61a1ad10444c3d~mv2.png/v1/fit/w_1000,h_640,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Jehan  Legac</dc:creator></item></channel></rss>